My First Art Opening

The painting continues...time is moving quickly these days...





Thursday, July 5, 2012

Fireworks

Jen had a birthday party for me on the 4th of July (my birthday is the 3rd).
One of the things that we did was have people brink some metal scraps so we could create some kind of sculpture.
I have an inexpensive arc/stick welder that is not very good, but I am getting used to it.
After a few failed attempts to get the metal to fuse, I was able to cobble this sculpture, which my kids call the "Atomic Bunny".
I like working with metal and maybe, some day, I can have an actual welding shop/studio to do big stuff.

Saturday, June 30, 2012

The Pruitt Igoe Myth

I learned about the Pruitt Igoe projects in St. Louis when I was at the Environmental Design School at UC Boulder.
I did not remember the details, but understood that it was a massive failure.  Since this was a design school, we talked a lot about the failure of the project in architectural terms.  I am sure we talked about the failure of the public housing system, but it is not what I remembered.
The Pruitt Igoe Myth is a documentary that is very well made, touching and eye opening.  Included in the film are a number of candid interviews with past residents, some who were there from the beginning.  Some remember the opening of the place and the joy of moving into their new "poor man's penthouse".  When it was fully occupied and there was enough revenue to pay for the maintenance and security it sounded like a great place.  It was clean with light and views and places to play.
The decline happened when the industry in St. Louis began to decline and a large number of people left the city for the suburbs.  Industry followed these folks to the suburbs and left a hole in downtown St. Louis.
It turns out that the Pruitt Igoe projects, like many others, had to use the rents to pay for maintenance and security.  When the residency rate declined, so did the revenues and everything fell apart.
If you think that you know about Pruitt Igoe, then you need to see this.

Here is the trailer on Youtube:
http://www.youtube.com/watch?v=g7RwwkNzF68

Friday, June 29, 2012

Looking at something a little closer

Every day, I look at this painting (It is in our kitchen, you may have seen it) that I did a while ago and find that the part that I really like is a small sample within the larger painting.
So, I finally decided to go back and enlarge the area that I liked.
Here is the enlarged scene.  Can you tell what part of the painting has been enlarged?
It is just the start, but I like it.  It will be crazy trying to work in and around all the detail!

Toynbee Tiles


For all of you who like mysteries as well as documentaries, here is a good one.
I happened on this documentary on Netflix called "Resurrect Dead, the Mystery of the Toynbee Tiles.
Here is a good link to a indi-filmaker website with some information on the film:
http://www.filmmakermagazine.com/news/2011/01/%E2%80%9Cresurrect-dead-the-mystery-of-the-toynbee-tiles%E2%80%9D-director-jon-foy/

I had not ever heard (it may be in my memory someplace) of the Toynbee tile phenomena.
This subject has already been talked about extensively and I don't want to try to describe it myself but there are many links.
It is a weird little mystery which is outlined on Wikipedia:
http://en.wikipedia.org/wiki/Toynbee_tiles

The film, directed by Jon Foy, is about the intrepid search for the origin of the tiles by artist and fellow film maker Justin Duerr.  While the tile phenomenon is interesting in it's own right, the film is a great piece of art and is worth watching.

Sunday, June 17, 2012

Layout

I was able to work outside today.  The daylight is amazing compared to my dungeon of a studio.  I dream of a day when I can work in a daylight filled studio with large doors that can open to an outdoor deck.
My family took me to the art store today, but I did not buy anything.  I would like to get another easel to use outside.
I promised myself that I would not spend any more money on art stuff until I sell some paintings.  I could make an easel, but that takes time, time I could be painting.




People ask me how I do the layout for the paintings.  Many assume that I project a photograph on to the canvas, but I don't.  I use a grid and transfer information from a photograph.  I don't have a projector and I have this idea that by doing the transfer the way that I do can give a little looser feel and it forces me to make decisions about what stays and what goes.

Three small paintings

Here are the finished versions of these 6" x 6" paintings.
I did them all at the same time, well, in the same session anyway.  I was able to share the palette and think that these make a nice little group.
The scenes are from around SE Portland.


Saturday, June 9, 2012

Self Portrait via New Art Tech

This is me after dealing with my unemployment situation.
Actually, it is a cartoon version of me that I "constructed" on the Wacom Bamboo digital tablet and Sketchbook Pro (Autodesk).  I took a photo of myself and traced over it to get the line work and then added some color.  The program is similar to Photoshop in that it lets you create layers.
For $70, it is a good sketching and coloring tool.
I am hoping to do some graphic novel work at some point.
This is a freaky and severe image of me, but it was a good test of the technology.  Click on the image to get a better idea of the detail.
 I was going for a graphic novel feel to the self portrait and it is close.  I have a tendency to got too light when I draw and this carried through with this technique. 



The Wacom pad works fairly well, although I imagine that the large versions (much more expensive) allow for more fluid hand motions.  For $100, the Bamboo is impressive and I would recommend it as your entry level pad.  Like anything, it takes some practice to get the hang of it.  I find that having the pad in my lap and sketching as if it were a paper sketch pad seems to be the most natural.

Sketchbook Pro has so many options for pencils, pens and brushes.  I like using the pencil to do the line work vs. the pens.
My motivation to use this technology vs. drawing on a pad and scanning the image in is to eliminate the middle man.  
With a little more practice, I think this may be the trick.
Yes, I could have done an oil painting, but then I would need to photograph it.
It is crazy how far we have come.  As much as I enjoy playing with the new tech, I still like the hands on stuff more.